Chris Ware was born in 1967 in Omaha, Nebraska, where he was first inspired by reading Peanuts paperbacks in his grandmother’s basement, unlimited access to 1970s television, and a local neighborhood cartoonist who had also worked under his grandfather’s managing editorship at the newspaper the Omaha World-Herald. Ware got his start in published comics, however, while attending the University of Texas in Austin. He drew comics every week, and sometimes on a daily basis, for The Daily Texan, still the country’s largest university newspaper.
In 1994, Fantagraphics Books co-publisher Kim Thompson offered Ware a regular comics series, which Ware accepted, titling it The ACME Novelty Library. Fifteen issues were published by Fantagraphics, with the 96-page, full-color 14th issue finishing “Jimmy Corrigan” in 1999. ACME set the standard next to which regular-sized comics were to be shelved, irritatingly published in a variety of different sizes and formats ranging from digest-sized black-and-white pamphlets to two 11” x 18” full-color horse-chokers. As a result of these experiments, between approximately 1995 to 2001 Ware shamelessly commandeered the comic medium’s general trophies for lettering, coloring, and stapling, winning dozens of so-named Harvey, Eisner and Ignatz Awards, as well as garnering the Angouleme “L’Alph Art” and the elusive Reuben Award for Excellence.
I do like comic work and have enjoyed looking at Chris Ware’s. The way he uses a lot of block colour in some illustrations is interesting as is the use of black. In the above image, hes seems to show lots of use of the same colours which I also find an interest.