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Bodelwyddan Castle-Whats on at the gallery..

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Watercolours and Drawings: 18th to 21st Century

“This exhibition is the third to be brought to Bodelwyddan Castle from Hastings by Caroline Gee, a Sussex art dealer who has been specializing in Watercolours and Drawings for over thirty years. It will follow a similar format as her previous exhibitions, beginning with the early years of the watercolour school in Britain, moving through the early nineteenth century, the ‘Golden Age’ of British watercolour, and finishing with delightful twentieth Century examples.” Watercolour is an interesting subject for me as it is an area I would like to develop and explore. As an expert in that area Caroline Gee would be an ideal candidate for information! Caroline Gee Caroline Gee, a dealer in early English and 20th century watercolours and drawings, is particularly excited by the potential of watercolours from the first half of the 19th century by John Varley and David Cox. Both were among the earliest members of the Old Watercolour Society, the founding of which in 1804 saw watercolours starting to be considered an art form in their own right. She says: “In the late 19th century, Cox was considered to be on a par with Constable and was only marginally less expensive than Turner. So what’s on display? ” Featured works on display include some of the most prominent artists who exhibited with the Old Watercolour Society (formed 1804), among them David Cox, Peter de Wint and John Varley. The Victorian Age is mainly represented by those artists who followed in the tradition of the early landscape painters, and will include two large and splendid views of North Wales by William Evans of Bristol. In the twentieth century section there will be another group of the wildlife drawings by Eileen Soper which so delighted visitors last time.” I have to be honest, I am not very familiar with these Artists! So I am going to do a little research 🙂

A Short History of the Royal Institute of Painters in Water Colours

“The beginnings of the RI can be traced back to 1807 with the formation of the New Society of Painters in Water Colours. The New Society was inaugurated as an alternative to an existing society (now the RWS) which had been founded in 1804 and which exhibited only the work of its own members. From the start the New Society showed the work of non-members’ alongside that of members, a policy still followed today. Both societies were started at a time when the Royal Academy was refusing to accept watercolours as a suitable medium for serious artistic expression despite its use by many highly regarded painters including Cotman, Turner, Cox, de Wint, Bonington and many others. The New Society changed its name in 1808 to the Associated Artists in Water Colours. The exhibitions attracted some of the foremost watercolourists of the time including: David Cox, Peter De Wint, William Blake, Samuel Prout, Paul Sandby and Joseph Powell. Even so financial problems caused them to fold in 1812.” (www.royalinstituteofpaintersinwatercolours.org/)

16 Old Bond Street Gallery of New Society of Painters in Watercolours, 1834 George Scharf (1788-1860)

How amazing is it to look back to how, just one aspect of Art, was used? And  how it has developed over the many years until now! I love how all the paintings in the picture are all bunched together across the walls.

David Cox 1783–1859

Cox was born at Deritend, near Birmingham, the son of blacksmith. In around 1798, aged fifteen, he was apprenticed to aminiature painter named Fieldler. Following Fieldler’s suicide, Cox was apprenticed around 1800 as assistant to a theatre scene-painter named De Maria. In 1804 he took work as a scene-painter with Astley’s Theatre and moved to London. By 1808 he had abandoned scene-painting, taking water-colour lessons with John Varley. In 1805 he made the first of his many trips to Wales, with Charles Barber; his earliest dated watercolours are from this year. Throughout his lifetime he made numerous sketching tours to the home counties, North Wales, Yorkshire, Derbyshire and Devon. Cox exhibited regularly at the Royal Academy from 1805. His pictures never sold for high prices, and his earned his living chiefly as a drawing-master. Through his first pupil, Col. the Hon. H. Windsor (the future Earl of Plymouth), who engaged him in 1808, Cox acquired several other aristocratic pupils. He wrote several books, including Ackermann’s New Drawing Book (1809); A Series of Progressive Lessons (1811); Treatise on Landscape Painting (1813); and Progressive Lessons on Landscape (1816). The ninth and last edition of his Series of Progressive Lessons was published in 1845.”

Rhyl Sands c.1854

I live in a small village right next to Rhyl, So to see a painting from the 1800’s, of Rhyl Beach, is amazing. I think the sky looks quite realistic but I get a grass feel instead of sand. I can see it is sand and the longer I look I wonder if it is windy right there by the sea and so the sand is moving?

PETER DE WINT, OWS
(British, 1784-1849)
Hastings from the East Cliff

Peter de Wint, OWS (British, 1784-1849) Hastings from the East Cliff watercolour heightened with bodycolour 38.5 x 56cm (15 3/16 x 22 1/16in).

“The son of a Dutch-American father and Scottish mother, Peter De Wint drew on the British landscape for his subject matter. Whilst working as an apprentice to John Raphael-Smith, De Wint met William Hilton, who was to become a life-long friend. Stylistically, De Wint was influenced by John Varley and Thomas Girtin whose sweeping brushstrokes and subdued blocks of colour were introduced to him by his patron Dr. Monroe. During the summer months, De Wint visited his patrons at their country estates in order to sketch the landscape and work as a tutor to the children of the family. He was to teach throughout his career in order to supplement his income and this resulted in numerous pupils working in his style. “(www.bonhams.com) Although this is a very beautiful piece of work, painted by a very talented Artist, to me, it feels old and the colours feel dark and dull. Maybe Peter de Wint actually used colours the colours of what it actually looked like on that day? I do like the visual lines running and swirling through the grass and I think the tiny detail of the people and buildings is very clever.

JOHN VARLEY OWS (1778-1842)

John Varley was a central figure for the watercolourists of the early nineteenth century. A founder member of the Society of Painters in Water Colours, and its most prolific exhibitor, he was also a highly significant teacher of both professionals and amateurs, and a writer of instruction manuals. He encouraged his students to paint in the open air, but also promoted the Picturesque theory of adapting nature to the requirements of composition. Of Lincolnshire descent, John Varley was born in Hackney, Middlesex, on 17 August 1778. He and his brothers ‘were said to have been born at the Blue Posts (formerly the Templars’ house), after their father had converted it to private use, although the building was still an inn in 1785’ (T F T Baker (ed), A History of the County of Middlesex: Volume 10: Hackney, London: Oxford University Press for the Institute of Historical Research, 1995, pages 10-14).”

KILCHURN CASTLE ON LOCH AWE

Whilst scanning through the Chris Beetles website, this is the painting, from Varley, that first caught my eyes. Varley has used dark and dull colours as I said about Peter de Wint’s piece, but he has added contrasting colours to the dark greens with brighter yellow tones. And the, as a further compliment, he has added a soft toned sky which I think makes the trees and land stand out very well. WILLIAM EVANS

William Evans of Eton (1798-1877) was a late-Georgian and early-Victorian landscape artist of real distinction, who painted exclusively in watercolour. Further qualification is needed, however, to explain why he was remarkable. Numerous watercolour artists augmented their income by teaching privately, including his own teachers William Collins and Peter de Wint, as well as his rival at the Old Watercolour Society, JD Harding. But as a Drawing Master teaching at Eton, then the premier public school, he stood above most of his peers, occupying an office which had been held by that innovative teacher Alexander Cozens in the previous century. He came second in a painting dynasty which through four generations lasted over 120 years.

He was the ardent supporter of institutions, both of his own school and of the Old Watercolour Society, where he never quite achieved official recognition. His signature, William Evans of Eton, was developed after 1845 when another member with the same name joined the Society. Throughout his life he remained loyal to watercolour painting, finding that the medium was capable of everything he wished to express, and considering those who experimented in oil renegades. His quarrels became bitter and absolute, and few of his artistic friendships remained intact. It was a period when the inventive quality of the British School of watercolour painting gradually ossified, and critics such as Ruskin damned the annual formula exhibition pictures which were sure of their market. By the 1850s William was himself producing ambitious, large pictures which lack the freshness of those painted in the 1830s and 1840s; but he reacted with a rush of inspiration to the south of France in a group of pictures painted in 1867-8, which have since been lost. As ill health inhibited his output, he became more and more involved with the administration 0f the Old Watercolour Society and was one of those who insured it retained its elite exclusive character, keeping out the more progressive ideas emerging in the mid-century.”

Evans. Cricket on the College Field. 1830s

It feels like there is a lot of white area in this painting, in everything there is white space. It feels a little hollow to me. I do love the circles that make up the trees on the left.

Eileen Soper

                                                      “the enchanting world of the Famous Five illustrator – Eileen Soper “Eileen Soper sought success at an early age, and was considered a child prodigy when she was the youngest artist ever to exhibit her work at The Royal Academy in London – at the ripe age of just 15. She was fantastically well received. But Eileen was not new to art at that age – she had experienced a lifetime of top tutoring from her father, George Soper, also a well-accomplished artist.

He drew out the creative side in both his daughters.

Eva, Eileen’s elder sister by less than two years, was a skilled potter, producing many designs for Royal Worcester – whilst Eileen and their father were more focused on etching and painting. Eileen produced around 180 different etchings, two of which were bought by Queen Mary. Her set of etchings of a specific group of children are particularly popular. The same set of children appear numerous times, enjoying different games and activities, and all these drawings were produced during the 1920’s, but they are still hugely well-liked today.”

Brush strokes – Eileen Soper painting.

The Famous Five & Eileen Soper

The Famous Five are among Enid Blyton’s best-loved creations and countless children have gone adventuring with them since the publication of Five on a Treasure Islandin 1942, the first of twenty-one full-length adventures and numerous short stories. Enid Blyton’s original books were charmingly illustrated by Eileen Soper but there have been numerous interpretations and adaptations of the Famous Five over the years including continuation novels written by French author Claude Voilier, cinema films, stage plays, two television series and, more recently, a Disney cartoon series featuring the children of the Famous Five.

First edition: 1944 Publisher: Hodder & Stoughton Illustrator: Eileen A. Soper Category: Famous Five Genre: Mystery/Adventure Type: Novels/Novelettes

THE BOAT SWING

EILEEN SOPER   I absolutely adore this illustration, the movement that is illustrated is beautiful. I like how the drawing shows a small section of what is actually happening but it leads the viewer to imagine the rest. I think the overlapped lines work well for the movement and the lack of colour makes  no difference at all.

ETCHING ON LAID PAPER 6 X 4 INCHES FINAL STATE

This illustration also moves me, the child really is sad about her broken doll and Eileen Soper has illustrated that very well. I really like her use of sketchy line work and again although this is not a moving picture it still gives the viewer a feel that the image is alive. Round Up That’s all I have time for today but I hope I have given a good insight to the exhibition now showing at Bodelwyddan castle! There are always exciting pieces being shown so be sure to keep an eye out for new exhibitions! keep a look out either by facebook, twitter or via their website!

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Final Module..

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The last few weeks of my time at Glyndwr University are flying fast!! It wont be much longer before that chapter of my life ends ready for a new one to begin! My final assessment will roughly be around 8th May and then I am due to have my baby on 15th!!! So right now, every minute of everyday is very valuable to ensure I am ready for that final assessment but also ready for the new edition of my family to enter the world!

Just briefly, I have been very lucky with this pregnancy as everything has run smoothly and therefore I have still been able to carry on working on my degree.

The final module is mostly based on portraying a professional practice with my work so that when I leave my studies, I will be ready fr the big, wide world of illustration. Some of the things that are required to show my professional side are designing a website, creating and printing business cards and postcards and creating a portfolio to a professional standard. If I am honest, a few weeks ago I didn’t feel ready to build a website, It wasn’t really that long ago that I discovered my natural drawing style and therefore I didn’t feel that I would have enough of that style to display within a website. I went ahead with the website anyway as it was part of the module and I’m glad I did! It has given me a new goal and more to aim for, I feel quite excited that I actually have my own website and find some inspiration and drive to draw more illustrations to fill it.

You can see my cards on my Twitter page and I have also created a Facebook page! The Facebook page is brand new but I am working at filing it up very soon.

I have been looking at Children’s Education for the final module, to complete the negotiated study number 2 and I am really excited about the characters that I have created so be sure to follow the next few post where I will upload the process of creating them!!

 

 

Kiminspire-Kim Project

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Many moons ago, I wasn’t the strongest woman in the world, I was very shy, had very little confidence and practically zero self-esteem. You could say that I was a frightened little creature that hid away from the big wide world!! It was a difficult life, living with my insecurities but behind them I had some good qualities that I didn’t feel I could embrace and therefore I threw myself into my local women’s center, Rhyl north wales, for help and guidance. At the center, I was offered many courses such as a confidence course, assertive class and an endless list of classes including things as basic as cooking, walking, social groups to more functional classes like access to university and much, much more. I took a confidence class, the assertive one and also at the time a digital media class. In the mean time i read books to help with confidence, and understanding depression and anxiety and pretty much anything within that kind of spectrum. I didn’t know what exactly I was aiming for, just that there was  tiny amount of drive and ambition hidden away behind my insecurities. I picked up a few quotes on my journey, one being..“If you don’t know where you are going..then any road will take you there…”. Now, looking back, I can see the truth in this quote. At that time of my life, I really didn’t know where I was going, but rather than sitting still I kept moving and as a result, the choices I made then have contributed to where I am today. The courses I had taken and books that I read have changed my outlook on life, changed the way I think and also, I didn’t know that the digital media course was an access to university course!! So when I had completed the course, and was offered a place and interview at Glyndwr University, I was in absolute shock! Still, that was another barrier to cross and I still had a way to go with my self belief that I was good enough to go to university but that’s another story!

Going to university has not only taught me about the illustration that I am studying, but a lot about life and people and learning, always learning! And opportunities, new doors and possibilities. trailing off, some months ago, my next door neighbor, Annie Donovan, operations Manager at KIM Kindness in Mind, asked me if I would like to facilitate an art class for KIM, the women’s project group. I was again in shock to have been offered such a opportunity, and as somebody who has come quite far in life from needing the help and support of a women’s center just like KIM, I jumped at the chance! I felt comfort in the fact that I myself have been given the opportunity to help other women like myself.

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When conducting the art classes, I have a lot to think about, I try to ensure the class will be suitable for every woman in turn but also relaxing and enjoyable. My aim isn’t even to teach them at this point in time but to help them relax, enjoy themselves and feel good about what they have created.

Next week I will be facilitating a class at the project in mold, north Wales and I have been thinking about a basic charcoal drawing class. The goal is not to see who can draw the best, but just to enjoy the connection that charcoal makes with the paper, some of the women may express themselves through the drawing but the aim is mainly to enjoy just making a mark and having fun. I am really excited about taking the class and look forward to many more to come!!

The centers

I would like to take a minute to say that if you feel that would you benefit from any of the centers, do not hesitate to contact them. They are there for your benefit, they are there to help!! Also, these centers cover a whole lot more than I have described here, I have only mentioned what areas have been beneficial to me.

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KIM

Creative Futures week 2014- Glyndwr University

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Photos taken by me unless stated otherwise 🙂

Today was the first day of Creative Futures at Glyndwr University. Glyndwr arrange for different kinds of creative people from different industries, and areas of the Art industry, to come to the University and give an hour of their time to speak to students within the lecture theaters on site. In the hour slot, the ‘speakers’ tend to introduce themselves and their story and line of work. By doing this, students gain an insight into the creative industry to help prepare for the big wide world after graduation.

As always, Dr. Stuart Cunningham, Head of Creative Industries at Glyndwr, kicked off the week with an introductory speech explaining the importance of the week ahead and how students can make the most of it. He also briefly covered how we should consider the importance of the local economy when we do eventually find work within our chosen sector and also that the economy for Creative Industries is recovering after the poor climate that we faced starting in 2008.

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Launch of the Creative industries website

Ed Vaizey MP, Parliamentary Under Secretary of State for Culture, Communications and Creative Industries, marks the launch of www.thecreativeindustries.co.uk as a “website for everyone” in the UK creative industries to showcase their success “to the world”. This speech was given on January 16, 2014, at a launch event held at the Institute of Practitioners in Advertising in Belgravia, London.(you tube)

Dr Stuart Cunningham then rounded his speech off with some much needed inspirational phrases to help us on our journey, and also shown us a slide of his ‘web of inspiration’. The slide shown a web of faces of the people who have inspired him throughout his life, ranging from teachers to films and music.

“TRUST YOUR INTUITION…KEEP IT FRESH WITH INFORMATION..”

    “There is value in breadth and depth..”

“REFLECT ON LEARNING….AND INTEGRATE IT INTO WHAT YOU DO…”

“Be a student…learn while you can…”

I usually do feel prepared for the week ahead right after Stuart makes his introductory speech, he reminds us why we are there and encourages the students to make the most of the 40 speakers who have taken their time to guide us through the creative futures week.

I felt very lucky to have met somebody who has done so well with their creative efforts!

Barry’s films have won over sixty major international awards, including Grand Prix, Best Director, Best Film, and OSCAR and BAFTA nominations.

As well as his films, Barry has directed and animated some 70 commercials, title sequences and animation inserts for films and pop promos.

His book Stop Motion: Passion, Process and Performance was published in 2008 by Focal Press and six of his films with commentaries and interviews were issued on DVD by Potemkin in 2008 as Barry Purves: His Intimate Lives. His second book Stop-motion was published in 2010 by AVA Publishing.

Barry has also given numerous TV interviews and animation training courses and has featured in documentaries and articles for magazines, books and the Internet. He has held workshops about animation, and particularly acting for animation, in colleges around the world, and in all the major American studios including Dreamworks, PDI, Pixar, and Will Vintons. He is a regular jury member and advisor for festivals.

Barry’s early career was in stage management as well as some time as an actor, working in many theatres around the UK. He has directed and designed for The Garrick Theatre in Altrincham, Manchester, The Edinburgh Festival and other venues.( www.barrypurves.com )

After introducing himself and showing us some clips off his work, Barry came across to me as a strong individual who went for what he wanted in life regardless to any difficulties he faced and also not being ashamed to express his emotions through his work. From the clips he had shown today, I was more taken with ‘Plume‘, i found myself engrossed into the short film and I think the music played a part in keeping me interested and gripped. Had the clip gone on any longer I’m sure I would have cried!!

Mad Hen

Sid Madge- The business of Branding

Sid Madge was another speaker that I went to today.

Sid Madge is a brand strategist and founder of Mad Hen. Over the past 25 years, he has worked with many of the world’s largest brands (IBM, GSK, VISA) and run and worked for some of the country’s most renowned creative agencies (Conran Design Group, Wolff Olins, CGI).

At the core of Sid’s approach is a belief in building relationships; forging bonds between brands, their people and their customers. By strengthening these emotional connections, he dramatically improves business performance for the long-term. It’s an approach that encompasses all aspects of an organisation’s brand, from positioning and strategy to visual identity, tone of voice and all facets of communication.”

Throughout Sid’s talk, he couldn’t express enough how important it is to bring emotion into your work, he briefly discussed some key points that draw people, consumers, towards what you have to offer but the main thing what people connect to is how you make them feel. Therefore if you can make a person laugh, smile or even cry when they look at your work, website, design or whatever it is that you do creatively, then you have more of a chance of them remembering it.

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We looked at how colour is used within the design industry and logos, and why they work.Sid also pointed out how far the company M&M’s has come and how they have pushed their boundaries when advertising and connecting with the public. Really, they are just a sweet company but they have gone all out to reach the costumers needs and draw them in. The possibilities really are endless.

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ISABEL GREENBERG

Final speaker of the day for me was Isabel Greenberg.

Isabel Greenberg is a London based illustrator and writer. Her first graphic novel ‘The Encyclopedia of Early Earth’ was publushed in 2013 by Jonathan Cape in the UK, Random House in Canada and Little Brown in the US. She studied illustration at the University of Brighton and since graduating has worked for a variety of clients including Nobrow Press, The National Trust, Seven Stories Press, Solipsistic Pop and Wrap Magazine. In 2011 she won the Observer Jonathan Cape Graphic short story prize.

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I appreciated listening to Isabel and how she has made it where she is today, It is very inspirational to hear other Artists stories. She seems to thoroughly enjoy what she does, and is happy that she has been able to narrow down to the fact that it is the actual story telling that she loves. She spoke with enthusiasm and a great understanding of her knowledge in here field and if I could be like that one day, I would be very happy too!

Sycra- Illustration Tutorials

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It is the last summer holiday during my time at Glyndwr University and I know that this is the last chance I have to boost my skills, feed my imagination and pretty much build my ammunition to prepare myself for my final year as an illustration student. Its my last chance to prepare myself to give my final year everything I have got and that is what my intention is.

As well as getting out and about to absorb inspiration and fill my mind with beautiful works of art, I am also applying myself to self study tutorials, not only to strengthen my illustrations, but to keep myself motivated and broaden my minds learning capacity.

As I am looking into ‘how the insecurities of the artist inhibit creative potential’ I am fully aware that these points are crucial for artists on their journey.

So, after browsing through the internet I came across SYCRA on Youtube. I found myself so excited as when I browsed through the tutorial videos of illustration, not only did I find tutorials that delve into detail about points relevant to me ,at this point in time in my artistic journey, but also videos describing his perception of artists block! (which will contribute to my dissertation) My excitement does tend to over rule my mind and so therefor, here I am telling the world about Sycra and his illustration tutorials!! 😀

I plan to watch all of the tutorials and practice what I have learned from them, but up until now I would like to show the ones that I have seen.

Composition no.8-

foreground, mid-ground and background

This tutorial I thought was fantastic, and although it describes subjects that my tutors have covered, I do feel I have taken the information from the video on board somewhat easier than the way in which my tutors described.

How to draw in your own style-

Style is something I admittedly haven’t seemed to get my head around but this tutorial has been a fantastic example of what it is all about!!

Breaking through Artists block-

And the final video, covering Artist’s Block! For me, this very video is a break through for my dissertation!! please take the time to take a look at Sycra’s tutorials, you will not be disappointed!!!

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Bodelwyddan Castle

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I went to visit Bodelwyddan Castle recently as the work of Quentin Blake was being displayed there. I took my family along too, as not only does the castle have its own gallery but also caters for a good family day out with activities for all.

We had a lovely walk through forestry, the maze was fun and my son and niece loved the park the most!! (I think that was my boyfriend-mikes favorite part too!!)

IMG_1024 IMG_1026****PLEASE READ THE STATEMENT BELOW REGARDING ZIP LINES****

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****PLEASE READ THE STATEMENT BELOW REGARDING ZIP LINES**** IMG_1001

****ZIP-LINES****

The zip-lines are for ages 14 and under and for uses of one person at a time. It wasn’t until we had been on the lines that we read the sign so I strongly advise that these guidelines are taken seriously as injuries and faults will not be held responsible by Bodelwyddan castle.IMG_0990 IMG_0991 IMG_0987

There is a lot more to the castle, as you will see if you check out their website and one day wasn’t enough to cover everything but still, we had a fantastic time. Inside was even more interesting and fun, we enjoyed the children’s room, looking at historical paintings and spending time listening to the tour operators who gave us very interesting insight to the castle as it was in its day many many years ago.

The children’s room was very educational, my favorite part was the drawing apparatus, as you will see in the following photos.

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Saving the best until last, and my utmost favorite part of the day was seeing the work of Quentin Blake. For me, the most remarkable illustrator of all time, his work has always been there in my life from a small child and to this day I still find myself fascinated when I look at his illustrations.

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I love the use of water color, and how Blake uses it to display his color within his vision, I also like the way he uses the center on the page not using the full canvas when he illustrates. His unique style grabs my attention, his scatty line work that isn’t perfectly formed is perfect to me.

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And there you have it, some of the amazing works of Quentin Blake. Over all we had a fantastic day at the castle and I look forward to keeping up to date with what they will have to offer in the future!!

Bodelwyddan castle can be found online on their website, facebook, twitter, and is just off the A55 at Bodelwyddan, north wales, UK.